Guia docente 2013_14 Facultade de Belas Artes

Contents

Topic	Sub-topic
1. The AESTHETIC EXPERIENCE	It. Bases of the aesthetic experience b. Historicidade And relativism. *c. Individual, original, copy, fake.
2. The STATUTE ORIXINARIO OF The ART	It. Signs and symbols. b. Conducción Of the felt. c. Bataille, *Klossowski.
3. FORM And EVENT	It. Historical origins. b. Interpretation. c. A synthesis of the plastic from these concepts: the Greek temple, the cutback.
4. The DIAGRLOVE PICTORIAL	It. A synthesis of the contemporary plastic movements from the concept of *Diagrama.
5. NATURALISM And MORALITY.	It. Moral speeches in the aesthetic. b. The mitocrítica. c. Hitchcock-*Bosco: A comparative.
6. OBXECTUALIGIVE PURE.	It. The nature died.
7. The SUBLIME	It. Foundational category of the modernidade. b. The photographic landscape. c. Of ruins: Robert Smithson, Piranesi, Walter Benjamin. d. The sublime contemporary.
8. CRISIS OF The MODERNIDADAnd	It. Baudelaire. *b. Walter Benjamin.
9. IDENTITY And COMMODITY	It. Warhol. *b. The Pop.
10. The COLOUR	It. Cromofobias. b. *variaciones And disturbances of the colours.
11. PORTRAIT, ROSTRIT.	It. The representation of the rostro. b. Francis Bacon: pages of meat.
12. SPEECHES #PUT IT TO MEGAVE	It. The eros deleuziano.