Guia docente 2013_14
Facultade de Belas Artes
Grao en Belas Artes
 Subjects
  Audiovisual materials
   Contents
Topic Sub-topic
Of the Cinema of Avant-garde (principles of the s.XX) To the pioneers of the Video-art (years 60). First Self-evident: the kinetical image in the art.
Sound: of the literature to the poetry phonetics.
The art of the noises.
Consolidatión of the use of the Video in the Art: the period of the big authors.
Sound: atonalidade and ruidismo.
The Against-Culture: Cinema Underground American.
Video versus Television.
Movement Fluxus.
John Cage: the audible space of the silence.
Experimentation of the Video in the Art, (of the years 80 until the present).
Expanded Cinema.
Sound Art. In the limits of the musical: noise and experimentation.
Video Single Channel and Video Installation.
New Vanguard Cinematographic.
Positions and evolution of the artistic genders in the current context of the image in movement and the sound.
Video: aesthetics of the audiovisual creation. The space and the time in the image in movement.
Video: art and cinematography. The relation of the plastic arts with the cinema.
The narrow relation between cinema and painting
Video: analysis of the origin and evolution of the cinematography. Cinema with argument versus cinema without argument.
Pure cinema vanguard.
Documentary pure cinema.
Video: deepening in the concept of Edition. Capture, representation and articulation of the time and of the movement.
Video: analysis, study and definition of the distinct ways of expression or genders of the video-art.
Video single channel.
Video-performance.
Video-installation.
Video-sculpture.
Audiovisual technician: ways of generation of the image.

Realism-fiction.
Illumination.
Decorated.
Artistic direction.
Audiovisual technician: register, capture and edition of the image.

Devices of camera.
Devices hardware and computer software.
Audiovisual technician: approach and practical use of the tools of creation.

Final Cut.
Materials of audible register.
Converters of videos.
Sequencers of video no linear.
Treatment of the digital video for his adaptation to new systems.
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